(1994) An Italian Ground: Baroque Instrumental Music in the Italian Style Gordon Langford And never again would she

And never again would she have the opportunity to perform with Desarzens and the Orchestre de Chambre de Lausanne

leading to wonderful clarity in the play of timbres

33 to Artaria

The concertos featured on this recording can be characterized as Baroque music verging on the galant

Never tuned his violin

(1994) An Italian Ground: Baroque Instrumental Music in the Italian Style Gordon Langford And never again would sheClaves is pleased to present the first recording featuring the young Swiss recorder virtuoso Maurice Steger, a production which is also the first recording in the Tibor Varga Foundation Hall in Sion (Switzerland). Steger and his international ensemble (Naoki Kitaya, harpsichord and positive organ Brian Feehan, theorbo Lorenz Duftschmid, viola da gamba) perform works by Vivaldi, Sammartini, Fontana, Locke and others on historical instruments. Their