(1994) XVth Clara Haskil Competition 1993 Carinet but d’Ollone described it as

but d’Ollone described it as a «symphonic poem in three parts with a solo violin»

the Zurich Chamber Orchestra

The opening theme is generally agreed to be based on the surname of the dedicatee

young concert soloist and could not imagine that this might come to an end

I was naive but full of ideas

(1994) XVth Clara Haskil Competition 1993 Carinet but d’Ollone described it asThe 15th Clara Haskil Competition in Vevey (Switzerland) was dominated by one performer: the young Viennese pianist Till Fellner. Fellners style is characterized by technical perfection and discrete virtuosity, as well as radiating something of the inner values associated with the name of Clara Haskil. This is particularly apparent in Fellners performance of Mozarts Piano Concerto in E flat Major, K. 482, with the Orchestre de Chambre de Lausanne