(1994) Niccolò Paganini: 24 Caprices, Op. 1 John Stanley The young virtuoso presents here

The young virtuoso presents here his first solo recording featuring transcriptions for harp of classical masterpieces

Neither utilized a modern compositional system or founded a school of composition

as well as in the composer's private correspondence

Telemann’s music represents the combination of elements from the «maniera italiana» (lyrical

arrangeur et compositeur

(1994) Niccolò Paganini: 24 Caprices, Op. 1 John Stanley The young virtuoso presents hereRobert Schumann was one of the first to recognize Niccol Paganini not only as a demonic virtuoso but also as a poetic composer. After having heard Paganini in Frankfurt in 1830 he immediately set out to write a piano fantasy on a theme by the composer virtuoso the spell that Paganini had cast on Schumann would remain throughout his life. In his last years Schumann wrote a piano accompaniment to Paganinis masterpiece for solo violin, the 24 Caprices,