(1999) Verdi: Requiem (Live Recording, The Hague 1970) id_qobuz:http://www.deezer.com/album/132231 but to portray the «spirit»

but to portray the «spirit»

as well as a single gestural and musical impulse

the Musikverein in Vienna and the BBC Proms in London

The young pianist chose Franz Liszt for this first “large-scale” recording endeavor: the two famous piano concertos and the equally famous Danse macabre

Astrig Siranossian has been a guest of several festivals

(1999) Verdi: Requiem (Live Recording, The Hague 1970) id_qobuz:http://www.deezer.com/album/132231 but to portray the «spirit»Verdis Requiem stands at the summit of nineteenth century liturgical music. First performed in a church in Milan in 1874, it is written in a musical language closer to the dramatic than to the devotional. Verdis intention was to express the emotional meaning and implications of the liturgical text, doing so with the musical tools that he mastered as a dramatist. Free to reveal something of his own attitude to death, he did not indulge in gentle